Old-growth timber displays tighter rings, richer medullary rays, and seasonally responsive movement that modern plantation wood rarely matches. Quarter-sawn oak shows shimmering ray fleck; mahogany reveals chatoyance and ribbon stripe. Edge damage darkens differently in ring-porous woods like oak or ash. Under magnification, open pores, collapsed fibers, and oxidation gradients in hidden edges often align with age claims, while uniform, freshly cut textures betray recent manufacture.
Straight, uneven kerfs from a pit saw or frame saw suggest eighteenth-century work, while circular saw striations typically appear after the mid-nineteenth century and band-saw regularity later still. Hand-planed panels leave subtle scallops, tear-out around knots, and irregular margins. Machine-planed surfaces exhibit repetitive chatter marks and overly consistent thickness. On authentic drawer bottoms, scrub-plane furrows often survive, especially on concealed faces, narrating a maker’s efficiency rather than showroom perfection.
Genuine hand-carved foliage varies leaf by leaf, while CNC or casting methods replicate identical micro-chips and rounded troughs. Examine mirrored motifs for unnatural twins. Stamped ornaments reveal soft edges and shallow depth. Turning profiles repeated with algorithmic precision deserve skepticism. Photograph patterns from oblique angles to catch tool path rhythms. Share images together with scale references; collaborative eyes excel at spotting repeats that a single glance can forgive.
Artificial distress often concentrates on showy corners, avoiding awkward recesses where real dirt lives. Vinegar, ammonia, and smoke produce theatrical color shifts but lack layered complexity. Fresh drill-made wormholes sit clean and too straight. Odors of recent solvents linger in drawers. Wipe hidden areas with a white cloth to test residue. If the story relies on scent more than structure, step back and invite community scrutiny before committing.
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