Offset holes pull shoulders tight without clamps, leaving subtle arcs in the fibers around the peg. Riven, slightly out-of-round pins, often oak or locust, show hand shaping and tapered ends. Proud peg heads, ovalized from centuries of shrinkage, frequently accompany seventeenth to early nineteenth-century construction, not uniform machine dowels.
Long trestle tables and beds often use tusk tenons secured by removable wedges, a hallmark of portability and pre-industrial pragmatism. Look for kerfs cut for wedges, mushroomed edges from repeated assembly, and darkened oxidation in exposed end grain. Modern replicas rarely reproduce convincing wear patterns in hidden bearing surfaces.
Original runners show polished tracks, oxidized edges, and small nail scars from past repairs. Later replacements often look too clean, with bright, machine-planed faces and modern screws. Kicker rails above drawers, combined with early dustboards, can suggest careful eighteenth- to early nineteenth-century construction, especially when wear patterns align across the case.
Original runners show polished tracks, oxidized edges, and small nail scars from past repairs. Later replacements often look too clean, with bright, machine-planed faces and modern screws. Kicker rails above drawers, combined with early dustboards, can suggest careful eighteenth- to early nineteenth-century construction, especially when wear patterns align across the case.
Original runners show polished tracks, oxidized edges, and small nail scars from past repairs. Later replacements often look too clean, with bright, machine-planed faces and modern screws. Kicker rails above drawers, combined with early dustboards, can suggest careful eighteenth- to early nineteenth-century construction, especially when wear patterns align across the case.
Hand-wrought nails show hammered, faceted shanks and rose-like heads, common before the early nineteenth century. Cut nails, rectangular in section with sheared edges, dominate the transitional century. Round, uniform wire nails appear widely after the 1880s. Look for oxidized shadows sized to earlier nails beneath replacements and inconsistent hole geometry.
Early screws often have hand-cut, irregular threads, unthreaded shanks near the head, and slightly off-center slots. Their tips are blunt, intended for gimlet-started holes. By the late nineteenth century, machine screws show even threads, perfect slots, and pointed tips. Mixing old and new in one hinge leaf often signals intervention.
Hot hide glue leaves translucent halos, crystalline squeeze-out, and a faint aroma when warmed, while early shellac often fluoresces under UV and crazes in fine, warm-toned lines. Lacquer and modern PVAs tell newer stories. Test discreetly, avoid solvents first, and interpret alongside joinery rather than as solitary, courtroom evidence.
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